Sunday, May 28, 2017

Greg Allman; His Life and Guitars

Greg Allman


Greg Allman passed away today due to complications from liver cancer. As a member of The Allman Brothers band, he was mainly know for playing the Hammond organ, but even when his brother Duane was alive.





Melissa on a Washburn guitar


Greg occasionally took up a guitar for a few songs. Perhaps the most notable of these was called Melissa. This song was originally performed on an acoustic guitar that belonged to Duane that was tuned to open E.





Duane and Greg Allman




Greg and his Duane started life in Nashville Tennessee, but grew up in Florida.







The Escorts


Their first real band was called The Escorts. The band was good enough to be the opening act for a Beach Boys concert.





The Allman Joys


The Escorts became The Allman Joys, which mainly played cover songs. During this time Greg purchased a Vox Continental organ.






Hour Glass

In order keep the band together and avoid being drafted into the armed services, Greg Allman shot himself in the foot. In 1967 they were renamed Hour Glass.




Allman Brother's Band


In 1969 the group was finally named The Allman Brother’s Band.




Allman's motorcycle after the crash


Tragically Duane Allman was killed in a motorcycle accident in 1971. Following this, the bands bass player Berry Oakley also died in a motorcycle accident.




Brothers and Sisters
Greg and the remaining members carried on and in 1973 had a hit record called Brothers and Sisters. The Allman Brother's Band broke up in 1975.


Greg Allman and Cher


Greg Allman went on to form the Greg Allman Band. He also married Cher and remained with her for a decade.




I'm No Angel


Allman recorded several albums and had a hit single called I’m No Angel. The Allman Brother’s Band regrouped in the early 1980’s. In 1989 The Allman Brothers Band got back together and continued to perform through 2014.




Low Country Blues


Greg Allman released a solo album called Low Country Blues in 2011, and his final album, Southern Blood, will be released this year.





Greg Allman

Allman is a Rock and Roll Hall of Fame inductee and is on Rolling Stone Magazine’s 100 Greatest Singers of All Time.



Greg Allman Autobiography

In 2012 Greg Allman published his autobiography called My Cross To Bear. Though Greg was mainly known as the singer and organist for the Allman Brothers Band, he did step up front and play guitar. Much is written about Duane’s guitars and equipment, but not so much is written concerning Greg’s guitars.




Greg Allman with Les Paul Custom



One of the earliest photo of Greg Allman playing a guitar is from 1975. In it he has a black Les Paul Custom.






Greg Allman with Gibson SG


The Allman Brother's Laid Back album came out around 1973 and it had a song called Queen of Hearts. From about that same time he is shown here with a Gibson SG, that may have belonged to Duane.



Greg Allman with an SG


Here is a 1974 picture of Greg playing a different Gibson SG. Butch Trucks was the drummer for the Allman Brothers Band. His son is Derek Trucks. I'm sure Duane and Greg's fondness for SG's must have influenced him.






Greg Allman with Veleno Guitar



Here is another picture of a young Greg Allman playing a Veleno guitar. Those guitars were made of metal and had a mirrored finish.





Allman with Veleno guitar



Here is another photo of him tuning the Veleno up. Note the unusual headstock and metal neck.








Greg Allman - Stratocaster


Allman is seen here with a black Fender Stratocaster. It is possibly a late 1960's model.







Allman and Cher - Ovation acoustic

Here he is seen singing with Cher and playing an Ovation acoustic. In the mid to late 1970's Ovation's were the go-to stage guitars, since the piezo pickups were the best. He also played an Adamas guitar that was made by Ovation.

Gibson SST 12 string guitar



Here Greg is seen singing Melissa and playing a Gibson SST 12 string.






Allman with a Martin D-35

He can be seen from this video playing a Martin D-35. Click on the link under the picture and you will see that Greg Allman was an excellent Blues guitar player.




Allman with a Guild



This clip from a TV show show Allman playing Come and Go Blues on a Guild D-40.






G. Allman Washburn signature models

Greg Allman had an endorsement deal with Washburn guitars. Here are the two models the company produced. The black guitar has "Melissa" inlaid in mother-of-pearl on the fretboard.


Allman with a Taylor guitar


At Farm Aid in 2007 Allman played a guitar made by Taylor.

Greg Allman with Gibson J-200






In recent years Greg Allman used a Gibson J-200 at his concerts.

Greg Allman struggled for years with addiction to alcohol, heroin and other drugs. He spent many years in rehab and became sober. In 2007 it was discovered he had hepatitus C. He underwent a liver transplant in 2010.

He died at his home in Savannah Georgia surrounded by his family and friends.

Please click on the links below the pictures for the sources. Click on the links in the text for further information.
©UniqueGuitar Publications 2017 (text only)







Saturday, May 27, 2017

James Jamerson's 1961 Fender Precision Bass Auction

1961 P Bass


A bass guitar owned and played by Motown legend James Jamerson will be up for auction later this month. This is the instrument was not the original that Jamerson played during his years with Motown’s Funk Brothers, as the label’s go-to session bass player. It is apparently a second bass that he owned. It is a 1961 Fender Precision Bass.

'57 Black Beauty


Jamerson’s first electric bass was a 1957 Precision Bass, refinished in black, with a gold-anodized pickguard and maple fretboard, which he nicknamed "Black Beauty". That bass was a gift from his fellow bass player Horace "Chili" Ruth. It was eventually stolen.





Jamerson with '62 Funk Machine
His most famous bass guitar was the 1962 Fender Precision Bass which was he dubbed "The Funk Machine." This Fender bass had a three-tone sunburst finish, a tortoiseshell pickguard, rosewood fretboard and chrome pickup and bridge covers. The bridge cover contained a piece of foam used to dampen sustain and some overtones, which was standard to the models of that era.

Jamerson with 1962 Fender P Bass

Jamerson had carved the word “Funk” on the the heel of the instrument. He typically set its volume and tone knobs on full. Sadly this bass was also stolen sometime in 1983 at a time when he was in the hospital and dying.


1961 Fender P Bass
Jamerson had lent his second 1961 bass to his aforementioned friend, Horace “Chili” Ruth sometime in 1967 or 1968  at a time when Ruth needed a bass. Jamerson never asked him to return it, so it has been in his procession ever since.

Jamerson left Detroit and moved to Los Angeles when Motown Records moved their headquarters to California. Apparently the bass was forgotten by Jamerson.

This bass is being offered by Heritage Auctions, with bidding starting on May 29th. The official dates are June 17th and 18th. There is a $12,000 premium. Click the link to register.

The bass is completely original. Only one of the La Bella strings has been replaced.

Jamerson is one of the best known and most influential electric bass players of all time. He was inducted posthumously into the Rock and Roll Hall of Fame in 2000. His playing can be heard on at least 30 Number 1 hit recordings and more than 70 R&B hit recordings.

Jamerson's bass



Jamerson started his career by playing in Detroit clubs and later found session work with the Motown Record Company. He began by playing string bass, but switched to electric bass during the 1960’s.





Funk Brothers, Jamerson  in the back

As mentioned before, James Jamerson was part of a core group of Motown Session player that came to be known as The Funk Brothers. In addition to session work, he sometimes toured with the artists. Though the musicians did not receive credit on the singles or albums for their work until sometime in the 1970’s,

Jamerson with Marvin Gaye

Jamerson’s playing can be found on such hits as Just Like Romeo and Juliet, You Can’t Hurry Love, My Girl, Shotgun, For Once In My Life, I Was Made To Love Her.



Jamerson in the studio

That is him playing the bass lines on  Going to a Go-Go, Dancing In The Street, I Heard It Through The Grapevine, What’s Going On, Reach Out, I’ll Be There, and Bernadette. When Motown ended in 1973, Jamerson performed on such songs as Neither One Of Us, Boogie Down, Boogie Fever, You Don’t Have To Be A Star, and Heaven Must Have Sent You.



Jamerson's Obituary
James Jamerson played on albums by Robert Palmer, Dennis Cofey, Al Wilson, Smokey Robinson, Ben E. King and many others. When bass styles changed, Jamerson, who was a pioneer, found himself out of work. His 1983 death was attributed to liver failure, resultant from alcoholism.

Jamerson with '62 Funk Machine
On his Fender Precision bass, Jamerson favored La Bella heavy-guage flatwound strings (.052 - .110). He never replaced these strings unless they broke. He did not take particularly good care of his instruments. In fact he once said, “The gunk keeps the funk.” He believed this improved the quality of the tone.

It was suggested to Jamerson that he switch to brighter sounding roundwound strings, but he declined.

Jamerson with Funk Machine

In an interesting 2015 article from the Talkbass forum titled, James Jamerson's Funk Machine - Wrong Year, the editor of Bass Magazine and a reader discuss the fact that the famous Funk Machine may not be a 1962 Fender Precision bass, but rather a model created between 1964 and 1967, based on the transition logo decal, created in 1964, and the pearloid dot fret markers.


Bridge Cover Foam Mute
Another indicator that it may be a bass made later than 1962 is the foam mute pad under the bridge cover. These were not introduced until 1963. Prior to that the mutes were made of felt.

Jamerson on upright bass




When playing upright bass, he used his index finger to pluck the strings. On electric and acoustic bass, he favoured utilizing open strings. This technique helped give his playing a fluid feel. He subsequently got the nickname; The Hook.



On studio recordings James Jamerson plugged directly into the mixing console. He adjusted the console so his sound was slightly overdriven. The tubes in the mixer gave him a little compression. 

Jamerson with Ampeg B-15 amp

When he played in clubs he used an Ampeg B-15 amplifier with an older Kustom speaker cabinet loaded with twin 15” speakers and covered in blue Naugahyde. He always played with the volume control turned up fully and the treble control turned only half way up.

Click on the links below the pictures for the sources and the links in the text for additional information. For a real treat, click on the links on any of the songs mentioned to hear some of the best Motown music ever recorded.

©UniqueGuitar Publications 2017 (text only)





Tuesday, May 16, 2017

B.C Rich Guitars

Bernardo C. Rico
One of the most unusual guitars that I ever played was also one of the best guitars I’ve ever played. This was an original B.C. Rich Seagull built back in the mid 1970’s when Bernie Rico and his staff were making them in his Los Angeles shop. That guitar was expensive, but it played and sounded like a dream.

Bernardo Chavez Rico aka Bernie learned about guitars from his father. Bernardo, or Bernie, was an accomplished Flamenco guitarist.

His father, Bernardo Mason Rico had purchased the store from Candelas Brothers guitar shop. The Candelas Guitar store is a legend all to itself. The store was re-christened Bernardo’s Guitar Shop.

Although Bernardo Senior was not a luthier, he was a business man. And he hired luthiers and craftsmen to do the work. It was from these men that Bernie learned his craft. The shop offered Flamenco and Classical guitars along with other stringed instruments.

'71 Rico acoustic
Many of their original guitars were made of bodies imported from Mexico which the workers sanded, finished, stained, and painted before offering them for sale. As the years rolled on, The Folk Music Craze of the early 1960’s changed the focus of the shop from nylon string instruments to steel string acoustic guitars. These were handmade using choice materials such as Brazilian rosewood, Sitka spruce, Honduran mahogany, and ebony.

Around 1968 Bernie made his first electric solid body guitar and topped it with a Fender neck.

1974 Rico Bass
This guitar and subsequent attempts had Les Paul shaped bodies. He also made bass guitars with a design based on the Gibson EB-3.

1974 B.C. Rich Seagull

Within four years Rico and a fellow employee named Bob Hall came up with the original Seagull design. By 1974 this became their first offering. Another employee named Mal Stich, inadvertently answered the phone one day by saying, “B.C. Rich”, instead of “Bernardo’s Guitar Shop”. The name stuck. Bernie Rich’s goal was to make a production line guitar with custom shop quality.


By 1977 the retail price was just under $1000 USD. But they were scarce.

The music store I frequented back in those days had 2 B.C. Rich guitars; the Seagull and the Mockingbird. Both guitars were excellent.

'74 Seagull
Oddly enough the Seagull was based on a wooden toilet seat. The body and neck were made of mahogany with neck-thru construction. The body had an exaggerated cutaway that ended in a sharp point. On the top side of the body between the upper and lower bouts was a sharp point. Rich used a Badass bridge/saddle unit. The guitar had twin humbucking pickups and the electronics were designed by Neal Moser. These included an active preamp, a Varitone control, a phase switch, coil taps, and master volume and tone controls.

'74 Seagull with Gibson pickups

At first the pickups were made by Gibson. This is because B.C. Rich guitars were originally distributed by L.D. Heater, which was a subsidiary of Gibson. This allowed them to obtain Gibson parts. However due the fact that Rich was utilizing coil taps and phase reversal on each model each Gibson pickup needed to be dissembled to be reconfigured to use four wires then put back together.

Eventually Gibson realized their pickups were being used by a competitor and put a halt to the practice.

Later models used Guild pickups, until Rich contacted Larry DiMarzio and asked if his company could produce a four wire model. From that point on B.C. Rich guitars and basses used DiMarzio pickups.

1976 B.C. Rich Eagle
The next instrument was the Eagle, which also had the neck-through-body construction and was made entirely of mahogany.. Early models included the three-on-a-side headstock, an unbound neck with rosewood fret board and inlaid position markers. The Eagle included an onboard preamp with a separate volume control and all the bells and whistles that were to be found on the Seagull. The body was more Strat-like with a double cutaway. Later models were stripped down, with a single humbucking pickup, a six-in-line headstock, and a vibrato unit.

'77 B.C. Rich Advertisement
On some instruments the body was painted with a custom colours. By this time, electric players were simplifying the guitars and relying more on pedal boards. Although the newer Eagle had the same shape, the only built-in effect was the on-board preamp, a switch to activate it, and a separate volume control.

1977 Mockingbird
The BC Rich Mockingbird was based on a shape by a guy named Johnny “Go-Go” Kessel and named by Neal Moser. The double-cutaway shape is like nothing else out there. The guitar was popularized by Joe Perry of Aerosmith. The original models were, once again, neck-through-body, and made of mahogany. The original models were gorgeous and featured twin humbucking pickups with coil tapping capability, and a built-in preamp. The six-on-a-side headstock topped the unbound neck, which had a rosewood fret board with mother of pearl inlays.

1982 Rich Bich
The Rich Bich, was another guitar based on a drawing by Johnny “Go-Go” Kessel and designed by Neal Moser. This guitar was originally offered in 1978 and like the Mockingbird, it was a truly original design. The upper bout featured twin offset pointy cutaways on the instruments neck-through-body. What set the guitar apart was the large V-shaped wedge cut out of the lower section of the guitars bottom nearest the player, The remaining section after this house the larger control section which had a small ovular cutout..

Rich Bich Electronics
Once again the guitar housed an active pre-amp and all the features found on the previously mentioned guitars. Like most of the vintage B.C. Rich guitars, this featured the three-on-a-side tuners, a rosewood neck with mother-of-pearl inlay, a Leo Quan Bad Ass bridge.

1978 Rich Bich 10 string

The reason for the large V shaped cutaway was due to the fact that this guitar was offered as a 10-string model. The wedge was designed to hold four Grover tuning pegs so that the upper four strings had double courses. These four strings had their end pieces strung into 4 metal grommets in the center of the headstock that were then attached to the pegs on the bottom of the guitar.


Bottom view of '78 Rich Bich

This upside-down concept was copied in later years by Steinberger (although his design was much different) and other manufacturers.




Trey Azagthoth Ironbird

The B.C. Rich Ironbird was designed by Joey Rico in 1983. It was in-my-opinion, a heavy metal version of the B.C. Rich Mockingbird. This instrument had a small cutaway on the upper bout and an exagerated, and pointy cutaway on the lower bout. The bottom of the guitar had two offset and pointy terminal points. The headstock was made rosewood. This guitar was popular endorsed by Trey Azagthoth of Morbid Angel.


Trey Azagthoth's
personal Ironbird
His personal instrument included a Dimarzio X2N in the bridge position, which was the company’s highest output pickup and a Dimarzio twin blade minihumbucker in the neck position. The strings attached to a Floyd Rose tremolo. The original Ironbird had a reverse headstock. The guitar was available with a variety of pickup configurations.





B.C. Rich Acrylic
The B.C. Rich Acrylic guitar was based on the Ampeg Dan Armstrong Lucite guitar concept. B.C. Rich took a number of their models, including the Mockingbird and the Warlock and used acrylic material for the bodies instead of wood. While the Dan Armstrong model only came in a clear transparent model, the B.C. Rich transparent models had different colours for their guitars. These guitars were manufactured in Korea and did not have all the features of the earlier B.C. Rich models.

An interesting feature of the Acrylic guitars is the neck joint. This was called IT (invisibolt technology) which allowed the neck to be bolted inside the body, to give it the appearance of a neck-through, however the neck was actually a bolt-on type.

BC Rich Warlock prototype
The B.C. Rich Warlock was designed by Bernie Rico in 1981 and based on the Bich. The original model came with a mahogany body and neck, which was topped with a three-on-a-side headstock.

1988 BC Rich Warlock
Some models did have a six-on-a-side reverse headstock. This was later changed to a unique headstock design. The neck was bound on the rosewood fretboard and topped with mother-of-pearl inlays. Some models came with a Floyd Rose Trem system. All came with twin Dimarzio humbuckers.

Warlock II


The Warlock II came out the following year.




BC Rich Wave




The BC Rich Wave guitar was designed by Martin Evans and made for only a brief period of time. It was reminiscent of the Mockingbird, but with exaggerated features such as a small wave-like cutaway on the instruments bottom.




BC Rich Stealth 7


The unique B.C, Rich Stealth guitar was designed by Rick Derringer. It featured twin Dimarzio pickups, a reverse headstock and the usual features found on earlier models. Subsequent production Stealth guitars deleted most of these features and came with only a bridge humbucking pickup.




Widow Bass


The B.C. Rich Widow bass was designed by Blackie Warless. It resembled an insect with its twin symmetrical upper and lower horns. The bottom section of the body needed an additional block section to hold the bridge saddle unit.

Some significant events for the company occurred in 1984.



1984 BC Rich US Series Mockingbird

The Korean connection led to the introduction of the U.S. Series. These were essentially Korean manufactured guitar kits, with bolt-on necks, that were shipped to California for assembly.



Condor



This was the year that the Condor was also introduced. This was a lovely guitar with a flamed maple top on a mahogany body. It was made in Japan.







BC Rich Fat Bob bass and guitar
The bizarre Fat Bob guitar and bass were introduced this same year. This guitar may have been a product of Bernie Rico’s love of motorcycles and motorcycle embellishments, as it resembled the flamed design decals found on hot-rodded motorcycles.

This guitar had an odd triangular shape, with a single Dimarzio pickup, a six-on-a-side headstock, and a Floyd-Rose tremolo.

Mel Stich
It was in 1984 that Mel Stich left the company. The following year Neal Moser left.

In 1987 Bernie Rich entered into an agreement with Randy Watuch’s company called Class Axe. This allowed Class Axe to market and distribute some of Rich’s guitar lines, thus leading to some foreign made models.

By 1989 Rich had turned over all of the licensing rights.

That year B.C. Rich guitars moved from California to New Jersey. The guys that were working at the L.A. shop continued to make handmade guitars under the logo LPC Guitars. This venture failed.

BC Rich Virgin Guitars and Basses
Though the majority of Class Axe made B.C. Rich guitars were outsourced, the company did produce The Virgin, which was handmade. Dealers and customers were begging for handmade products.

In 1993 Bernie Rico returned to making handmade guitars when the licensing agreement ran out. Ed Roman of Roman Guitars of Las Vegas purchased the left over stock from Class Axe.

He relocated the shop to Hesperia California.

By 1995 Bernie returned to making acoustic guitars, including the B-41C.

The Ignitor




In 1995 the Ignitor and the V were added to the line up.







1998 Victor Smith Commemoritive

In 1998 the Exclusive, the Victor Smith Commemorative Model, and the Beast were added.

The following year, B.C, Rich added a seven string version of the Warlock.

On December 3rd of 1999, Bernie Rico died of a heart attack.

The company was taken over  to his son Bernie Jr. Under his direction control of the company, B.C. Rich, was sold given to the Hanser Music Group in 2001. They began making guitars under the Rico Jr. name.

Bernie Rico Jr.
Bernie Rico Jr is still involved with some current B.C. Rich custom-shop guitars. In 2014, JAM Industries of Quebec Canada took over Hanser Incorporated, aka Davitt and Hanser.

Asian manufactured B.C. Rich guitars are still being distributed by Davitt and Hanser, as a subsidiary of JAM Industries.

Click the links under the pictures for the sources. Click the links in the text for further information.

©UniqueGuitar Publications (text only)